Documents of Latin American and Latino Art

This document outlines the development of the approach of the art group 3NÓS3 [a pun: both “Three Knots” and “We Three”] made up of Hudinilson Jr., Mário Ramiro, and Rafael França, that was in existence between 1979 and 1981. The writers [...]

In this text, Mario Ramiro comments on Construção Selvagem, a show of artists from Minas Gerais held at the Centro Cultural São Paulo. The author asserts that by bringing together various artists, group shows give rise to reflection and illustrate [...]

In the 1980s, during the cultural and commercial phenomenon called the “return to painting,” according to the multimedia artist Mário Ramiro, tech-based art was one of the few kinds of art that was still inspired by a spirit of experimentation [...]

Mário Ramiro weaves a commentary around the exhibition of collages created by Hudinilson Jr., a member of the group 3NÓS3 [Three Knots/We Three] to which they both belong. Ramiro emphasizes the serial nature of the show and one of Hudinilson’s [...]