Creator: Coutinho, Wilson, 1947-2003×
  • A estratégia de Cildo Meireles
    Coutinho, Wilson
    This is a review of the following emblematic works produced by Cildo Meireles: “Inserções em Circuitos Ideológicos,” “Espaços Virtuais: Cantos,” and “Blindhotland.” According to the art critic Wilson Coutinho, these works suggest a [...]
    ICAA Record ID: 1110613

  • Áquila : o presente da pintura
    Coutinho, Wilson
    In this article critic Wilson Coutinho emphasizes Luiz Áquila’s pictorial contributions to art in the 1980s. Known as “the father of the ‘80s generation,” he was one of the few to continue painting during the prior experimental decade. Á [...]
    ICAA Record ID: 1110938

  • Daniel Senise
    Coutinho, Wilson
    Published in the catalogue to the 18th São Paulo Biennial (1985), this text by critic Wilson Coutinho presents the work of artist Daniel Senise. Coutinho underscores the dramatic nature of Senise’s pictorial representations of simple objects and [...]
    ICAA Record ID: 1110947

  • Festa e democracia na arte do Parque Lage
    Coutinho, Wilson
    In this text, the art critic Wilson Coutinho comments on the eruption of a special moment in the Brazilian art world, starting with the exhibition Como vai você, Geração 80?,held at the Escola de Artes Visuais del Parque Lage (Rio de Janeiro, 1984 [...]
    ICAA Record ID: 1110956

  • Fotografia : Miguel Rio Branco : aproximações
    Coutinho, Wilson
    Art critic Wilson Coutinho weaves an analysis of the photographic work of Miguel Rio Branco, stating that the artist works with the idea of the “unproductive economy,” since his photographs focus on the economically marginalized sector of the [...]
    ICAA Record ID: 1110964

  • Neoconcretismo e Merleau-Ponty : através
    Coutinho, Wilson, 1947-2003
    This essay by the Brazilian art critic Wilson Coutinho appeared in the catalogue for the exhibition Ciclo de exposições sobre arte no Rio de Janeiro: 1. Neoconcretismo (Rio de Janeiro: Galeria de Arte BANERJ, 1984). The essay outlines [...]
    ICAA Record ID: 1315430

  • Os obscuros objetos do prazer
    Coutinho, Wilson; Tunga, 1952-2016
    In this text, critic Wilson Coutinho asserts that Tunga’s art is an enigma within the Brazilian art scene not only because it involves “desire,” but also—indeed chiefly—because it exceeds the confines of intellectualism. Tunga was part of [...]
    ICAA Record ID: 1111081

  • Plástica do Desejo
    Coutinho, Wilson
    This review of Tunga’s work was written by the critic Wilson Coutinho on the occasion of “Tunga,” the exhibition of works by the Brazilian artist at the Espaço ABC (Rio de Janeiro, 1980). Coutinho describes him as one of the few experimental [...]
    ICAA Record ID: 1110559

  • Poesia Concreta: as ambiguidades da ordem
    Coutinho, Wilson, 1947-2003
    This essay, written by Wilson Coutinho, the Brazilian curator and art critic, appeared in the catalogue for the exhibition Projeto Construtivo Brasileiro na Arte (1977). Coutinho discusses the context in which Concrete poetry developed in Brazil in [...]
    ICAA Record ID: 1315240

  • Transvanguarda no Brasil : os novos punks da pintura
    Coutinho, Wilson
    This essay by the critic Wilson Coutinho provides an assessment of the new artistic generation that emerged in the Brazilian artistic scene of the 1980s, starting with the retrospective presented at the Thomas Cohn Gallery in Rio de Janeiro with [...]
    ICAA Record ID: 1110977

  • Zílio : a pintura e o ser sublime
    Coutinho, Wilson
    The art critic Wilson Coutinho addresses the direction of Carlos Zílio during the 1980s, which, unlike what he had been previously doing in the early 1970s, involved a so-called “return to painting.” His work departed from the diverse artistic [...]
    ICAA Record ID: 1110981