Creator: Noriega, Chon A., 1961-×
  • [Letter] 1993 February 5 [to] Elisabeth Sussman
    Noriega, Chon A., 1961-
    1993
    This letter was written by UCLA professor Chon Noriega to Elizabeth Sussman, a former curator of the Whitney Museum of American Art. Written in 1993, the letter addresses several concerns about the museum’s upcoming Biennial Exhibition with regard [...]
    ICAA Record ID: 809251

  • Barricades of ideas: Latino culture, site-specific installation, and the U.S. Art Museum
    Noriega, Chon A., 1961-
    1999
    In this document, scholar and curator Chon Noriega uses the model of identity articulated by José Martí in order to construct a more accurate understanding of U.S. Latino cultural expression and, more specifically, Latino installation art. He [...]
    ICAA Record ID: 862121

  • From beats to borders : an alternative history of Chicano art in California
    Noriega, Chon A., 1961-
    2000
    In his essay, scholar and curator Chon Noriega explores the process of writing alternative histories through three case studies in Chicano visual arts. He presents each example as the result of an engagement with both identity politics and the [...]
    ICAA Record ID: 862140

  • On museum row : aesthetics and the politics of exhibition
    Noriega, Chon A., 1961-
    1999
    In this document Chon Noriega considers the process of developing a panel discussion organized in conjunction with a museum exhibition. As a scholar who is also a curator, Noriega notes the existing tension between museums and universities as [...]
    ICAA Record ID: 1126996

  • Postmodernism : or why this is just another poster
    Noriega, Chon A., 1961-
    2001
    In this bilingual essay, Chon Noriega introduces the exhibition Just Another Poster? Chicano Graphic Arts in California/¿Sólo un cartel más? Artes gráficas chicanas en California, organized by the University Art Museum at the University of [...]
    ICAA Record ID: 821174

  • Raphael Montañez Ortiz: Early Deconstruction, 1957-67
    Noriega, Chon A., 1961-
    1996
    Chon Noriega states that as a central figure of the Destructivist movement, Raphael Montañez Ortiz’s (b. 1934) work—between 1957 and 1967—can be understood as a reaction to the social detachment of the postwar avant-garde, thus marking a shift [...]
    ICAA Record ID: 845458