Documents of Latin American and Latino Art

In this essay featured in the catalogue for the exhibition Art from Brazil in New York, critic and curator Carlos Basualdo, who was born in Rosario, Argentina, argues that Brazilian art has made a threefold contribution in terms of the following [...]

In this interview, artist Doris Salcedo and critic Carlos Basualdo—who is from Rosario, Argentina—analyze Salcedo’s career from her student days in Colombia in the late 1970s to the present—the late 1990s—when she had gained considerable [...]

In “Crimen es ornamento” [Crime is Ornamental], the text of the exhibition catalogue of the homonymous show carried out in the Centro Cultural Parque España, Rosario (Argentina), between September 8 and October 2, 1994, Carlos Basualdo links the [...]

In Crimen es ornamento [Crime is Ornamental], the text of the exhibition catalogue of the homonymous show carried out in the Centro Cultural Parque España, Rosario (Argentina), between September 8 and October 2, 1994, Carlos Basualdo links the works [...]

Carlos Basualdo links the works gathered in this exhibition, The rational twist [(New York: Apex Art, February, 1996) with the “memory” of Argentinean Concrete art; almost nonexistent, as such, for economically developed countries, since, at the [...]