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Apuntes de la inmensidad
1996In this text, critic Federica Palomero explores the development of Venezuelan painter Víctor Hugo Irazábal, from his formative period (the early sixties) and subsequent experimentation with various media and genres through his encounter with the [...]ICAA Record ID: 1167685 -
Apuntes sobre la colección de Arte de América
1988This text by Federica Palomero was written for Arte de América, the exhibition she curated in 1988 on the occasion of the anniversary of the founding of the Museo de Bellas Artes de Caracas. The text describes the origins of the collection of Inter- [...]ICAA Record ID: 1161144 -
Consideraciones preliminares
1995The researcher Federica Palomero reviews the history of Venezuelan art in the 1960s, which she describes as “the prodigious decade.” She discusses the major artists, movements, works, exhibitions, salons, biennials, and exhibition spaces of the [...]ICAA Record ID: 1162487 -
Empreintes territoriales
1999Federica Palomero launches into this essay with a brief history of the MBA (Museo de Bellas Artes) in Caracas, and the steady growth of the Museum’s Collection of Latin American Art. Palomero posits that one can see the history of Latin American [...]ICAA Record ID: 1162151 -
La vastedad y el silencio
1997The curator Federica Palomero introduces Antes del paisaje, the exhibition of works by Octavio Russo. Palomero reviews the artist’s career, and explains how his gradual evolution eventually led him to produce the works on display at this exhibition [...]ICAA Record ID: 1161096