Creator: Parente, Letícia Tarquínio de Souza, 1932-×
  • A velha arte agora
    Maiolino, Anna Maria; Weller, Denise; Perez, Amador, 1952-; Tati, Cristina; Machado, Ivens Olinto; Porto, Sérgio; Barros, Umberto Costa, 1948-; Brusky, Sonia von; Benedicto, Jozias; Roitman, Vera Motlis; Vaz, Guilherme; Kleiman, Mauro; Campos, Dileny; Secco, Maria do Carmo Fortes; Herkenhoff, Paulo; Rodrigues, Monica Barreto; Geiger, Anna Bella; Toledo, Amélia Amorim; Fontes, Alfredo Miguel; Gerchman, Rubens, 1942-2008; Meireles, Cildo; Paraíso, Essila, 1941-; Barbosa, Monica; Jorge R. Pontes; Ferreira, Martha Pires; Fanzeres, Evany; Ferraz, Odila; Braga, Regina, 1941-1999; Richers, Celina; Vergara, Carlos; Fonseca, Osmar; Luz, Maria Lucia; Saddi, Maria Luiza Saboia; Cocchiarale, Fernando França; Tunga, 1952-2016; Aquino, Angelo de, 1945-; Landin, Renato; Córdula, Raul, 1943-; Pape, Lygia; Manuel, Antonio; Barrio, Artur Alípio; Parente, Letícia Tarquínio de Souza, 1932-; Mesqueu, Paulo Roberto; Samaral; Scherpenberg, Katie van, 1940; Sampaio, João C. V., 1953-; Lessa, Pedro; Peo; Mattar, Sami; Ascânio MMM, 1941-; Caldas Júnior, Waltércio; Zílio, Carlos; Macedo, Ronaldo do Rego; Luz, Rogerio
    1976
    The discussion of the art system in Brazil in the text “A velha arte agora” [Old Art, Today] is clearly influenced by the curatorial work of Brazilian art critic Roberto Pontual. The statement revolves around the following topics: the ideology of [...]
    ICAA Record ID: 1110593

  • Leticia Parente : medida
    Parente, Letícia Tarquínio de Souza, 1932-
    1976
    In this essay the artist Letícia Parente discusses her process, how she works. She explores the origins of the challenge to the “place” of the individual who chooses to present himself to society as a “vehicle” for permanent inquiry [...]
    ICAA Record ID: 1110601