Creator: Chiarelli, Tadeu, 1956-×
  • 15 artistas brasileiros: colocando dobradiças na arte contemporânea
    Chiarelli, Tadeu, 1956-
    1996
    According to Tadeu Chiarelli, contemporary international art has moved away from personal expression and embraced an industrial aesthetic. This is the result of a serial, modular logic that rejects any attempt to stress the physical and chemical [...]
    ICAA Record ID: 1110500

  • A gravura no espelho
    Chiarelli, Tadeu, 1956-
    1995
    With this text, Tadeu Chiarelli presents a show of work by Cláudio Mubarac. He observes how metal engraving becomes a process of self-knowledge in the hands of an artist influenced—in Chiarelli’s view—by Evandro Carlos Jardim. Printmaking and [...]
    ICAA Record ID: 1111250

  • A gravura paulista significa
    Chiarelli, Tadeu, 1956-
    1995
    In this text, Tadeu Chiarelli examines the meaning of printmaking in contemporary art. It adds nothing on a technical level, he argues, and—as the medium used for the reproduction of images in post-industrial society—it is brought into the sphere [...]
    ICAA Record ID: 1111251

  • Amanhã hoje : Casa triângulo de 1988 a 1995
    Ribeiro, Maria Izabel M. Reis Branco; Chiarelli, Tadeu, 1956-
    1995
    This is the catalogue for the exhibition commemorating the fifteenth anniversary of the Casa Triângulo. Organized by Maria Izabel Branco Ribeiro, the exhibition presented the history of the gallery during that time, introducing those young artists [...]
    ICAA Record ID: 1111344

  • Apropriações: o lugar da arte como questão
    Chiarelli, Tadeu, 1956-
    1990
    In this text, art critic Tadeu Chiarelli presents Apropriações, the show that he organized at the Paço das Artes in São Paulo in 1990. Chiarelli discusses the ties between the art object and the real, and reflects on the role of the former in [...]
    ICAA Record ID: 1111252

  • Armadilha para Narciso
    Chiarelli, Tadeu, 1956-
    1993
    This text was written by the Brazilian art critic and professor Tadeu Chiarelli about the exhibition Lusco Fusco (1993), by the São Paulo artist Caetano de Almeida, at the Luisa Strina gallery in that city. The writer observes that Caetano de [...]
    ICAA Record ID: 1111253

  • Considerações sobre o uso de imagens de segunda geração na arte contemporânea
    Chiarelli, Tadeu, 1956-
    1987
    Tadeu Chiarelli sees “the quote” as one of the defining features of contemporary art, taken from visual systems and inspired by a vast array of images and preexisting artistic procedures. He scours his sources, noting the role played by [...]
    ICAA Record ID: 1110502

  • Da arte nacional brasileira para a arte brasileira internacional
    Chiarelli, Tadeu, 1956-
    1995
    Ever since the academic romanticism of the nineteenth century, Brazilian artists had longed to create a “national (Brazilian) art,” a goal that at times had hampered their creative development. The painters Giovanni Castagneto, Oswaldo [...]
    ICAA Record ID: 1075144

  • Emmanuel Nassar: erudito e popular
    Chiarelli, Tadeu, 1956-
    1989
    In this review of Emmanuel Nassar’s work, Tadeu Chiarelli discusses the paintings the artist produced in the mid-1980s, in which he detects an attraction to the widespread erudite Constructivist tradition coupled with a certain discomfort, [...]
    ICAA Record ID: 1110457

  • Fotografía en Brasil: años 90 = Photography in Brazil in the 1990s
    Chiarelli, Tadeu, 1956-
    1997
    This essay is an analysis of current photography in Brazil that finds its production vigorous and diverse with a historical basis that brings to light its maturity. The author, Tadeu Chiarelli, begins the study with the most successful trio of [...]
    ICAA Record ID: 1110894

  • Jac Leirner
    Chiarelli, Tadeu, 1956-
    1989
    In the view of Tadeu Chiarelli, Jac Leirner’s art eludes any attempt at generic classification or positivist catalogization. The Brazilian artist works in series, removing objects from the flow of consumer goods until they are captured or grasped. [...]
    ICAA Record ID: 1111254

  • La mirada contaminada: otras fotografias = The contaminated gaze: other photographies
    Chiarelli, Tadeu, 1956-
    1994
    This essay states that Brazilian photography was usually seen through an anthropological lens and analyzed as a form of purely autonomous expression; it is now being examined in this text as a process for seeking identity and for an establishment of [...]
    ICAA Record ID: 1110893

  • O tridimensional na arte brasileira dos anos 80 e 90: genealogias, superações
    Chiarelli, Tadeu, 1956-
    1997
    In this essay, Tadeu Chiarelli analyzes Brazil art from the eighties and nineties, specifically production that involves three-dimensional space (sculpture, objects, or installation). He draws ties between those decades and the experimental tradition [...]
    ICAA Record ID: 1111352

  • Realidade e simulacro
    Chiarelli, Tadeu, 1956-
    1988
    This text by Tadeu Chiarelli discusses the work of Edgard de Souza. According to the critic, de Souza takes to the limit the Dada tradition. The themes he addresses include mass media images, and he represents objects that vacillate between greed and [...]
    ICAA Record ID: 1111255

  • Sobre a fotografia brasileira hoje = On current Brazilian photography
    Chiarelli, Tadeu, 1956-
    1997
    This essay is on the production of contemporary Brazilian photography that marked the first half of the twentieth century in Brazil as a continuation of artistic modernism and its ties to issues of identity as the register of the human landscape [...]
    ICAA Record ID: 1110895

  • Sobre as pinturas de Mônica Nador
    Chiarelli, Tadeu, 1956-
    1994
    This is Tadeu Chiarelli’s critical text on the paintings created by Mônica Nador, written as the introduction to an exhibition by this Brazilian artist at the Luisa Strina gallery (São Paulo) in 1994. According to Chiarelli, these paintings are [...]
    ICAA Record ID: 1111256

  • Uma realidade... dilacerante: a produção de Nazareth Pacheco = Nazareths's Pacheco output: a lacerating reality
    Chiarelli, Tadeu, 1956-
    1997
    In this introductory essay to Nazareth Pacheco’s 1997exhibition at the Galeria Valú Ória, Tadeu Chiarelli reviews the artist’s career since her first exhibitions at the start of the decade. Chiarelli emphasizes Pacheco’s internal [...]
    ICAA Record ID: 1111059