Creator: Espinosa Saldaña, Antonino, 1888-1969×
  • [Los cuadros que explico en esta exposición...]
    Espinosa Saldaña, Antonino, 1888-1969
    1947
    This draft of a text by painter Antonino Espinosa Saldaña was for a presentation at an exhibition of his work that did not take place. In it he justifies the absence of titles or any references for the works, “because one should not impose a [...]
    ICAA Record ID: 1143457

  • A propósito del curso de "arte incaico" en la Escuela de Bellas Artes
    Espinosa Saldaña, Antonino, 1888-1969
    1930
    The author, Antonino Espinosa Saldaña, proposes to replace the course name “Arte incaico” [Incan Art]—used by the ENBA beginning in 1930, with “Arqueología pre-incaica y su aplicación a las artes decorativas” [pre-Incan archeology and [...]
    ICAA Record ID: 1143553

  • A propósito del curso de arte incaico en la Escuela de Bellas Artes : carta abierta
    Espinosa Saldaña, Antonino, 1888-1969
    1930
    Painter Antonino Espinosa opens this letter questioning the pertinence of the “Arte incaico” [Incan Art] course at the ENBA—to be offered by writer Augusto Aguirre, author of the novel El pueblo del sol [The People of the Sun]—arguing that [...]
    ICAA Record ID: 1143520

  • Diferenciaciones estéticas
    Espinosa Saldaña, Antonino, 1888-1969
    1934
    The author, Antonino Espinosa Saldaña, makes aesthetic differentiations among “Art Deco” style plans, which were then innovative in the Peruvian context, in opposition to the prevailing indigenous art trend. He argues that Expressionism is [...]
    ICAA Record ID: 1143805

  • Ensayo sobre la estética del arte pre-colombino: (pintura, escultura y artes industriales, cerámica y texilaria)
    Espinosa Saldaña, Antonino, 1888-1969
    1930
    Although the title “Arte incaico” [Incan Art] and its syllabus reveal a literary approach to the topic, the course at the ENBA sought to make the pre-Columbian legacy a referent for the establishment of a “national art.” In Peru in 1930, its [...]
    ICAA Record ID: 1143685

  • La exposición de pinturas de Julia Codecido
    Espinosa Saldaña, Antonino, 1888-1969
    1931
    After mentioning the decorative nature of Julia Codesido’s exhibition, the author of this review discusses her portrayal of the Andean mountains, calling it: “an exceptional vision rather than a straight idealization.” The decorative nature of [...]
    ICAA Record ID: 1141229

  • La exposición Sabogal
    Espinosa Saldaña, Antonino, 1888-1969
    1931
    Espinoza Saldaña thinks José Sabogal has been making some profound changes in his work since his first exhibition in Lima. He comments in particular on the artist’s realism which makes no attempt to please, unlike those who are still enraptured [...]
    ICAA Record ID: 1140362

  • Las acuarelas de Isajara y los versos de Eguren : para "El Comercio"
    Espinosa Saldaña, Antonino, 1888-1969
    1931
    Although the author, Antonino Espinosa Saldaña, praises the aesthetic quality of the work exhibited by Isajara in Lima, he calls into question that which was inspired by the poetry of José María Eguren, which he defines as “ideas without any [...]
    ICAA Record ID: 1143323