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Artist's Statement : Recognizing the Mexican Influence
1982Mario Castillo, the distinguished Chicano/Mexican multimedia creator, writes in this artist statement that his work has always dealt with birth, life, death, and the afterlife, and that he has always tried to relate it to his Mexican heritage. He [...]ICAA Record ID: 1063621 -
Artist's Statement: Art Liberation Movement, Castillo's Manifesto, Chicago, IL, July 4, 2001
2001"Art Liberation Movement" is Mario Castillo’s personal manifesto, which appears on the artist’s website. The Chicano/Mexican artist who works from Chicago expresses in this statement his desire to liberate himself from "the aesthetic constraints [...]ICAA Record ID: 1063585 -
Multiculturalism and its conundrums : public art and its multicultural community : the art collection at Chicago's new central library
1992In this article, Alice Piron considers the public art collection at the Chicago Harold Washington Library Center, notable for having the largest “Percent for Art Program” budget—at the time in excess of $1 million—and for having specific [...]ICAA Record ID: 1064494 -
Myths = Mitos
1991This document includes two articles from the catalog for the exhibition Myths: Recent Paintings by Alejandro Romero held at the Mexican Fine Arts Center Museum in Chicago from April 19–July 7, 1991. The first article considers Romero’s use of [...]ICAA Record ID: 1064590 -
Visitando con María Enriquez de Allen
1982Written by Harold Allen, Chicago-based photographer and husband of Mexican folk artist María Enríquez de Allen, this biographical sketch covers the life of Enríquez de Allen from her childhood in Allende, Cohauila to her years in Chicago, where [...]ICAA Record ID: 1063662