-
[Sin dificultad se puede constatar que la nueva fotografía...]
1979The curator and art critic Miguel González (Cali, b. 1950) introduces the work of the photographer Fernell Franco (1942, Versalles, Valle del Cauca–2006, Cali) in the catalogue for the exhibition Ever Astudillo dibujos, Fernell Franco fotografías [...]ICAA Record ID: 1088560 -
Conferencia Salcedo
Doris Salcedo gave this lecture in 2003 at the National Museum in Colombia. She discusses three of the projects she presented in the1990s in Colombia, Holland, Turkey, and Germany: Atrabiliarios [Defiant] (2), Un acto de memoria [An Act of Memory], [...]ICAA Record ID: 1088508 -
Dimensión metafórica: hubo pluralidad de lenguajes y estilos
1989With the support of José Hernán Aguilar, in 1989 Carolina Ponce de León published avant-garde reflections in a style suitable to the mass media in the cultural section of the newspaper El Tiempo. This text addresses the visual arts scene of the [...]ICAA Record ID: 1083064 -
Hacer arte público como memoria colectiva, como metáfora y como acción
2003In the text “Hacer arte público como memoria colectiva, como metáfora y como acción,” North American artist Suzanne Lacy develops her thesis on the community impact of an artistic strategy. In so doing, she analyzes the definition of “public [...]ICAA Record ID: 1093626 -
Teoría y práctica de las artes no objetualistas en América Latina
1981In “Teoría y prácticas no-objetualistas en América Latina” [Non-Objectualist Theory and Practice in Latin America], Juan Acha, the Peruvian art critic who lived in Mexico, explains the basis of his theory concerning Latin American artistic [...]ICAA Record ID: 1088533