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[Hay dos categorías de pintores...]
1949In this manuscript, Polish critic Casimiro Eiger, who lived in Colombia, discusses the work in the first solo exhibition of painter Marco Ospina, held at Galerías de Arte in 1949. In Eiger’s view, the merit of Ospina’s work lies in its order. [...]ICAA Record ID: 1132692 -
[Después de varias semanas...]
1949In this text, Polish art critic Casimiro Eiger praises Luis Alberto Acuña’s art. He specifically mentions the artist’s use of color, the monumentality of his painting, the severity of his sculptural volumes, and his controversial approach to [...]ICAA Record ID: 1132676 -
Luis Alberto Acuña
1944In this text, Austrian-born critic Walter Engel, who lived in Colombia, discusses the life and work of Luis Alberto Acuña, a Colombian artist who was also a historian, critic, and advocate of Colombian art. In terms of Acuña’s advocacy work, [...]ICAA Record ID: 1132644 -
Las dos líneas extremas de la pintura colombiana : Botero y Ramírez Villamizar
1969Critic Marta Traba’s premise in this essay is that the process by which art emerges has been a constant in the history of Colombia’s national culture. Traba uses the word “emerging” in reference to artistic expressions that transcend local [...]ICAA Record ID: 1105095