ICAA Researcher: Natalia Pineau.×
  • [Alfredo Londaibere invita]
    Lodaitzbehere, Alfredo
    Invitation to Alfredo Londaibere’s exhibition (Buenos Aires: Centro Cultural Ricardo Rojas, June, 1991 [...]
    ICAA Record ID: 769200

  • [Carta a los destinatarios de las gacetillas y catálogos del CAyC (GT-399)]
    Centro de Arte y Comunicación (Buenos Aires, Argentina)
    This text was written to explain that—due to the rising cost of paper, printing, and stamps—the Centro de Arte y Comunicación [Art and Communication Center] would no longer be mailing the (free) newsletters that kept recipients informed about [...]
    ICAA Record ID: 747413

  • [Ciudadano: el uso de esta máscara de la felicidad es obligatorio...]
    Pazos, Luis; Puppo, Héctor; Luján Gutiérrez, Jorge de
    The image of a mask was used as a prop in the happening called La Cultura de la Felicidad [The Culture of Happiness], which was staged as part of the Arte de Sistemas [Systems Art] exhibition (Buenos Aires: Museo de Arte Moderno, July 1971). The [...]
    ICAA Record ID: 748100

  • [Ciudadano: el uso de esta máscara...]
    Pazos, Luis; Puppo, Héctor; Luján Gutiérrez, Jorge de
    A collection of images from the happening called “Cementerio” [Cemetery], which was staged as part of the Arte de Sistemas [Systems Art] exhibition (Buenos Aires: Museo de Arte Moderno, July 1971). The work consisted of a cluster of crosses, each [...]
    ICAA Record ID: 745784

  • [EL jueves 17 de junio a las 18, se inaugurará una exposición de los pintores modernos...]
    Invitation to the Exposición de Pintores Modernos [Modern Painters Exhibition], which took place at Amigos del Arte [Friends of Art] (Buenos Aires, June, 1926), and included the following artists: Emilio Pettoruti, Norah Borges, Xul Solar, and Piero [...]
    ICAA Record ID: 732226

  • [El New York Graphic Workshop comenzó a funcionar en 1964...]
    Castillo, José Guillermo; Porter, Liliana, 1941-; Camnitzer, Luis
    This text provides a brief description of the aims of the New York Graphic Workshop (NYGW) from the time of its founding in 1964. It states that the works exhibited in the show, The New Graphic Workshop (Caracas: Instituto Nacional de Cultura y [...]
    ICAA Record ID: 777412

  • [Febrero 6, 1969. El New York Graphic Workshop se reúne para analizar y discutir la experiencia de la exposición...]
    Camnitzer, Luis
    Luis Camnitzer discusses the New York Graphic Workshop (NYGW) exhibition at the Museo de Bellas Artes [Museum of Fine Arts] in Caracas in January 1969, musing on the idea of the “museum as device” and, therefore, on the role of the “art object [...]
    ICAA Record ID: 773726

  • [Ficha de obra de los artistas de la exhibición Arte de Sistemas II del Centro de Arte y Comunicación (CAyC)]
    Centro de Arte y Comunicación (Buenos Aires, Argentina)
    The text contains records of the artists connected to the Centro de Arte y Comunicación (CAyC) [Center of Art and Communication] who participated in the exhibition, Arte de Sistemas II [Systems Art] (Buenos Aires, September 1972). Each record [...]
    ICAA Record ID: 761701

  • [Ficha de obra de los artistas vinculados al Centro de Arte y Comunicación (CAyC)]
    Centro de Arte y Comunicación (Buenos Aires, Argentina)
    [This document is a record] of the works by the artists linked to the Centro de Arte y Comunicación [Center for Art and Communication] (CAyC) who participated in the exhibition Arte de Sistemas [Systems Art] (Buenos Aires: Museo de Arte Moderno, [...]
    ICAA Record ID: 761657

  • [Hará un año, vi por la tele un corto publicitario que me gustó mucho...]
    Pombo, Marcelo, 1959-
    The document includes an image that is part of Marcelo Pombo's installation in the collective exhibition La Conquista (Buenos Aires, Centro Cultural Recoleta, March 1992). Organized for the Fifth Centennial of the Discovery of America, it includes a [...]
    ICAA Record ID: 769467

  • [La Galería del Centro Cultural Rojas]
    Gumier Maier, Jorge, 1953-; Jitrik, Magdalena
    Jorge Gumier-Maier and Magdalena Jitrik point out that the objective the Galería del Centro Cultural Ricardo Rojas aimed for since its inception was “to create space for a large group of young artists whose works were not part of the accepted and [...]
    ICAA Record ID: 769396

  • 11th Annual Exhibition of Latin American Prints
    Zegrí, Armando
    The text by Armando Zegrí in the catalog for the 11th Annual Exhibition of Latin American Prints (New York: Zegri Gallery, January 5–February 4, 1965) states that fifty artists from eleven Latin American countries took part in the exhibition. In [...]
    ICAA Record ID: 777359

  • 6 artistas en Lirolay : Sexteto
    Galería Lirolay (Buenos Aires, Argentina)
    This document is a catalog for the exhibition 6 artistas en Lirolay. Sexteto [Six Artists in Lirolay: Sextet] (Buenos Aires: Galería Lirolay, January–February 1964). The participating artists were: Delia Cancela, Zulema Ciordia, Pablo Mesejean, [...]
    ICAA Record ID: 760952

  • A quien leyere
    Borges, Jorge Luis, 1899-1986
    In this document, a prologue of his book of poems, Fervor of Buenos Aires (1923), Jorge Luis Borges explains certain aspects of the works: due to the book’s title, the possible misinterpretation regarding the verse development; the theme which is [...]
    ICAA Record ID: 731233

  • Agustín Inchausti
    Lebenglik, Fabián
    In this document Fabián Lebenglik describes the characteristics of the work Agustín Inchausti presented in the exhibition Agustín Inchausti. Pinturas (Buenos Aires: Espacio Giesso, April 28–May 17, 1992); he compares it to the work he had been [...]
    ICAA Record ID: 769842

  • Alfredo Londaitzbehere : Mapas y Pinturas
    Text from the catalogue of the Alfredo Londaitzbehere. Mapas y Pinturas exhibition, organized at the Centro Cultural Ricardo Rojas from July 31 to August 22, 1989. It displays the artist’s career, in addition to his personal data and a list of the [...]
    ICAA Record ID: 769219

  • Algo sobre el Ultraísmo
    González Lanuza, Eduardo, 1900-
    In this piece, González Lanuza explores the two primary modes through which man can interpret reality: an “analytical” perspective and a “synthetic” perspective. With respect to the first, the author references Impressionism and literature [...]
    ICAA Record ID: 731278

  • Algunos piensos cortos de Cristian Morgenstern
    Morgenstern, Christian; Xul Solar
    Xul Solar’s version in neoCreole languange of a selected text from Stufen (Stages) (1918) by the German poet, Christian Morgenstern (1871-1914 [...]
    ICAA Record ID: 730850

  • Americo Panozzi
    Chiabra Acosta, Alfredo, 1889-1932
    Based on the exhibition held by painter Américo Panozzi, as well as the reception it enjoyed from the art critics, Atalaya denounces Panozzi’s methods as harmful to the development of young painters. Atalaya describes the “the frequent [...]
    ICAA Record ID: 738673

  • Argentina Inter-medios = Argentina intermedia
    Glusberg, Jorge
    The text outlines the goals and the nature of the exhibition and describes the various proposals involved. Glusberg emphasizes that it is “the first in a series of incipient events and does not pretend to be about finished products.” He refers to [...]
    ICAA Record ID: 747146

  • Art in Editions: New Approaches
    Camnitzer, Luis
    In his text for the Art in Editions: New Approaches (New York, Loeb Student Center: January 8–31, 1968) exhibition catalog, Luis Camnitzer explains the objective of the exhibition and describes the nature of the work of each of the participating [...]
    ICAA Record ID: 777430

  • Arte : Ortopedia, humor y algunas obsesiones
    This article describes the characteristics of the works included in the exhibition Sexteto [Sextet] (Buenos Aires: Galería Lirolay, 1964) and reprints the artists’ opinions regarding the show’s classification as Pop art, a term that was used by [...]
    ICAA Record ID: 760919

  • Arte de Sistemas
    Pellegrino, Alberto; Portillos, Alfredo; Grippo, Víctor, 1936-
    This book was published as part of the Arte de Sistemas [Systems Art] exhibition (Buenos Aires: Museo de Arte Moderno, July 1971). It presents “propositions” (or conceptual works) by three artists, Víctor Grippo, Alberto Pellegrino, and Alfredo [...]
    ICAA Record ID: 746904

  • Arte e Ideología en CAyC al Aire Libre
    Glusberg, Jorge
    This text suggests that although there is no “Latin American art” as such — that is, art produced by Latin American nations — these countries certainly share a number of “common problems” in terms of the social and political reality of [...]
    ICAA Record ID: 747360

  • Arte e ideología en CAyC al aire libre
    Glusberg, Jorge; Grupo de los Trece (Buenos Aires, Argentina)
    The text presents the objective of the exhibition CAyC al Aire Libre o Arte e Ideología, CAyC al Aire Libre [CAyC in the Open Air or Art and Ideology, CAyC in the Open Air] (Buenos Aires, Plaza Roberto Arlt). It meant to generate an encounter, that [...]
    ICAA Record ID: 761671

  • Arte e ironía, picado fino : Miguel Harte-Marcelo Pombo
    This article reviews the Marcelo Pombo and Miguel Harte exhibition held at the ICI (Instituto de Cooperación Iberoamericana) del Centro Cultural de España during the months of April and May 1991. It describes the characteristics of the works of [...]
    ICAA Record ID: 770148

  • Arte Guarango para la Argentina de Menem
    Restany, Pierre
    The question asked by French art critic Pierre Restany in this article is this: how is the political and general cultural context of the 1990s, characterized by the double presidential mandate of Carlos Saúl Menem, related to artistic productions? [...]
    ICAA Record ID: 769571

  • Arte infantil mejicano
    Figari, Pedro, 1861-1938
    The Uruguayan painter Pedro Figari highlights the methods of teaching art to children in Mexico and its results, while appreciating the paintings exhibited at the Salón Amigos del Arte [Friends of Art] exhibition [...]
    ICAA Record ID: 732706

  • Arte latinoamericano en París : (Crítica a los críticos de una exposición)
    Bayón, Damián
    Damián Bayón analyzes some of the reports by critics, both French and North American, on the Latin American exhibition that was held in Paris from August to September 1962 at the Musée de la Ville. In these reports he finds lines of reasoning that [...]
    ICAA Record ID: 785925

  • Arte Nuevo de la Argentina = New Art of Argentina
    Instituto Torcuato Di Tella
    This is from the catalogue of the Nuevo Arte de la Argentina [New Art of Argentina] exhibition (Buenos Aires: Instituto Torcuato Di Tella, February 18 through March 8, 1964). The document explains that the goal of the exhibition was to present, in [...]
    ICAA Record ID: 753895

  • Arte plástico y anexo : Exposición Doctor Figari
    Chiabra Acosta, Alfredo, 1889-1932
    Following an exhibition by Uruguayan painter Pedro Figari, Alfredo Chiabra-Acosta reviews the character of his pictorial production and considerations made about it by art criticism. Regarding the latter, he ponders that in view of such praise—“ [...]
    ICAA Record ID: 768699

  • Arte por el arte : Una retrospectiva en el Centro Cultural Recoleta recupera el arte que pasó por el Rojas en los últimos siete años
    Pacheco, Marcelo Eduardo
    Following the El Tao del Arte exhibition (Buenos Aires: Centro Cultural Recoleta, May 13–June 8, 1997), Pacheco describes Galería del Rojas’s character during its beginnings: the curatorial policy of Jorge Gumier-Maier (its director), the [...]
    ICAA Record ID: 769532

  • Arte y cibernética
    Glusberg, Jorge
    This text describes the goals of the first exhibition held by the Centro de Estudios de Arte y Comunicación [Center for Art and Communication Studies] (CEAC), which were to raise awareness of the avenues of opportunity that new technology was [...]
    ICAA Record ID: 747989

  • Arte y Política : El Levantamiento de una Muestra Plástica no Tuvo Fundamento Legal
    This article reports on the closure of the CAyC al Aire Libre [CAyC in the Outside] exhibition by order of the municipal authorities of the city of Buenos Aires. It explains that the arguments presented to justify the closure were based on a view [...]
    ICAA Record ID: 747956

  • Artes emocionales
    Figari, Pedro, 1861-1938
    Pedro Figari explains the difficulties to both develop and become interested in emotional art, which requires a thoughtful and meditative interior life, in view of aspects of the present society; “all seems to be prone against poetic manners, [and [...]
    ICAA Record ID: 732929

  • Artes y Espectáculos : definiciones y cuestionamientos
    Glusberg, Jorge
    Following his visit to Documenta 5 in Kassel, Germany, in 1972, Jorge Glusberg gave an interview in which he discussed the relationship that Argentine art in particular, and Latin American art in general, enjoyed with the hegemonic nations of the [...]
    ICAA Record ID: 748041

  • Avatares del arte
    Gumier Maier, Jorge, 1953-
    This article is critical of the nature of contemporary art in Buenos Aires, referring specifically to the formal aspect of artworks, the roots of creative inspiration such as social or political issues, and the scope in terms of reception, among [...]
    ICAA Record ID: 768333

  • Batlle Planas
    Bayón, Damián
    In this article, Damián Bayón describes and analyzes the painting of Juan Batlle Planas, an Argentine painter influenced by surrealism. Bayón believes him to be one of the “most gifted surrealists, replete with great pictorial knowledge and a [...]
    ICAA Record ID: 785966

  • Buenos Aires 64
    Parpagnoli, Hugo
    The text explains that the selection criteria for the artists appearing in the exhibition Buenos Aires 64 (New York: Pepsi-Cola Co., September 1964) was to show different vanguard groups’ expressions existing in Buenos Aires. It briefly describes [...]
    ICAA Record ID: 768114

  • Calendario : Arte : "Pop Art"
    This text relates to the exhibition 6 artistas en Lirolay [Six Artists at Lirolay]. Sexteto [Sextet] held at Galería Lirolay (Buenos Aires) in January and February of 1964. It asserts that works by “exponen los campeones nacionales del pop-art, [...]
    ICAA Record ID: 760906

  • Campo de Agramante
    Pettoruti, Emilio, 1892-1971
    This article reproduces a letter sent by painter Emilio Pettoruti to Martín Fierro; in it he makes it clear that the letter has not met with acceptance by the magazine.  It responds to an article published in Martín Fierro regarding a text that [...]
    ICAA Record ID: 737989

  • Campo de Agramante : Algo más acerca de-: “La consagración de un músico mediocre: Honneger”
    Paz, Juan Carlos, 1897-1972
    This article continues the controversy between Leónidas Barletta and Juan Carlos Paz regarding the music of Swiss composer Arthur Honegger, which had debuted in Buenos Aires under the conductor Ernest Ansermet, of the Suisse Romande orchestra. The [...]
    ICAA Record ID: 738946

  • Carlos Torrallardona
    Bayón, Damián
    In this article, Damián Bayón analyzes the work of Carlos Torrallardona. To do so, he focuses on the composition, iconography, lines and use of color among other elements, including the adequate (or inadequate) visual tension he observes within [...]
    ICAA Record ID: 785980

  • Carta a un joven argentino que estudia filosofía
    Ortega y Gasset, José, 1883-1955
    In this letter, probably addressed to Homero M. Guglielmini (one of the editors of the magazine Inicial. Revista de la nueva generación) [Initial. Journal of the new generation], Spanish philosopher José Ortega y Gasset expresses his mistrust [...]
    ICAA Record ID: 743376

  • Carta abierta, a “La Púa”
    Girondo, Oliverio, 1891-1967
    In “Open letter to ‘La Púa,’ [The Thorn]” Oliverio Girondo (1890–1967) shows an attitude, a “vital” stance regarding what involves “creation [...]
    ICAA Record ID: 732604

  • Carta de Nueva York
    Bayón, Damián
    This article reviews and analyzes the collection of the Museum of Modern Art [MoMA] in New York, the Whitney Museum and three exhibitions: Salvador Dalí, Roberto Matta and Jean Dubuffet, all of them simultaneously presented in the same city. With [...]
    ICAA Record ID: 787215

  • Catorce pintores checoslovacos
    Bayón, Damián
    In this article, Damián Bayón focuses on a description of the formal characteristics of the work each of the fourteen Czechoslovakian painters who exhibited at the Asociación Estímulo de Bellas Artes (Buenos Aires). He maintains that despite [...]
    ICAA Record ID: 786132

  • CAyC : a.g.a.l.a (GT37)
    Centro de Arte y Comunicación (Buenos Aires, Argentina)
    The text poses the problem of the existence of a greater communication between Latin American cities and those of the first world. That is why it proposes the organization of an “Asociación de Gente de Arte de Latino America” [Association for [...]
    ICAA Record ID: 743610

  • CAyC : Arte de Sistemas en el Museo de Arte Moderno (GT54)
    Centro de Arte y Comunicación (Buenos Aires, Argentina)
    The text announces the opening of the Arte de Sistemas [Systems Art] exhibition (Buenos Aires: Museo de Arte Moderno, July, 1971) and defines this term as that which “includes the latest art trends of the second part of this century. Art as an idea [...]
    ICAA Record ID: 747665

  • CAyC : Arte en Cambio : Exhibición del Grupo de los Trece (GT-239)
    Glusberg, Jorge
    This is an explanation of the meaning of the exhibition’s title, Arte en Cambio [In Exchange for Art] (Buenos Aires: Centro de Arte y Comunicación [Art and Communication Center], June 1973). According to Glusberg, what the title essentially refers [...]
    ICAA Record ID: 747400