ICAA Researcher: Margarita Malagón×
  • [Oscar Muñoz (Popayán, 1951) realizó su primera exhibición...]
    González, Miguel, 1950-
    Colombian curator and art critic Miguel González provides an overview of Óscar Muñoz’s work from his first solo exhibition in Colombia through 1987, focusing on questions like the dichotomy between appearance and reality, light, and the [...]
    ICAA Record ID: 1080345

  • Art and Media-tion : Reflections on Violence and Representation
    Villaveces Izquierdo, Santiago
    The introduction to this interview with Colombian artist Doris Salcedo by Santiago Villaveces provides a brief overview of the socio-political and economic situation in Colombia in the early nineties. The interview presents Salcedo in relation to the [...]
    ICAA Record ID: 1134483

  • Doris Salcedo, The Dynamic of Violence
    Viso, Olga M., 1966-
    Entitled “The Dynamic of Violence,” this article by researcher and art critic Olga M. Viso analyzes specific works by Doris Salcedo such as Atrabiliarios [Defiant]and Casa Viuda [The Widowed House], as well as Sin título [Untitled] furniture ( [...]
    ICAA Record ID: 1080309

  • Failing better : Salcedo's trajectory
    Mengham, Rod, 1953-
    In this article, the British critic Rod Mengham reviews Doris Salcedo’s installation Neither (2004) in terms of the Colombian artist’s career, identifying significant changes in her work since 2002. Up until that point, Salcedo had produced [...]
    ICAA Record ID: 1150166

  • Oscar Muñoz
    Herzog, Hans- Michael, 1956-
    This interview covers Óscar Muñoz’s career from the early days in Cali in the late sixties until 2004, the time period that is the focus of interest. Muñoz connects his art with his formation as an artist and with what happened in his native [...]
    ICAA Record ID: 860414

  • Oscar Muñoz : LedisFlam
    Amor, Monica
    In this article on Óscar Muñoz’s work, the art critic Mónica Amor emphasizes the predominant role played by chance in his two series: Cortinas de baño [Shower Curtains] and Narcisos [Narcissi], as well as the secondary role played by the artist [...]
    ICAA Record ID: 854946

  • The processes of (de)composition
    Castro, Fernando, 1964-
    The art and photography critic Fernando Castro reviews the works Aliento [Breath], Narcisos [Narcissi], and Lacrimarios [Tear Containers] by Oscar Muñoz that were exhibited at the Sicardi Gallery in Houston in March 2002 as part of Fotofest. Castro [...]
    ICAA Record ID: 1133253

  • The trace and the body
    Best, Susan
    Susan Best, the North American researcher and art critic, suggests that Maurice Merleau-Ponty’s phenomenological reflections on perception and aesthetic experience are especially well suited to interpreting (non-representational) contemporary works [...]
    ICAA Record ID: 1134563