ICAA Researcher: María Sol Barón Pino×
  • [Materias]
    1973
    This document is the material that presented the objectives and purposes of the Taller Escuela de Artes Gráficas 4 Rojo, as well as the subjects taught there. This school was founded in 1973 by the members of the group Taller 4 Rojo: Diego Arango, [...]
    ICAA Record ID: 1135790

  • Carta al lector
    González, Beatriz, 1938-
    1978
    Selected to represent Colombia at the 38th Venice Biennale (1978), Beatriz González explains why she chose one of her Telones [Curtains] for that international event whose theme was “From nature to art and from art to nature.” González [...]
    ICAA Record ID: 860666

  • Críticos de América Latina votan contra una bienal de Arte Latinoamericano
    Amaral, Aracy A., 1930-
    1981
    Brazilian historian and critic Aracy Amaral assesses the decision to bring to an end the Bienal Latinoamericana de São Paulo (BLSP)—a one-time event held in 1978 parallel to the traditional São Paulo Biennial. The decision was made after the [...]
    ICAA Record ID: 1079493

  • El nuevo traje del emperador
    Caballero Holguín, Luis, 1943-1995
    1979
    In this article, illustrated by the Colombian artist Álvaro Barrios, the painter Luis Caballero adapts the Hans Christian Andersen children’s story El traje nuevo del emperador [The Emperor’s New Clothes] to present the reader with a critical [...]
    ICAA Record ID: 1088924

  • Formas "puras" y formas políticas en el XXII salón
    Clemencia, Lucena, 1945- 1983
    1971
    Clemencia Lucena, Colombian artist and activist in MOIR (Movimiento Obrero Independiente Revolucionario, founded in 1971) assesses the works exhibited at the XXII Salón de Artistas Nacionales (1971) on the basis of the Marxist theory of class [...]
    ICAA Record ID: 860566

  • Gráfica testimonial : mediados de los sesenta a comienzos de los setenta
    Pini, Ivonne
    1987
    In her review written for Arte en Colombia magazine, the Uruguayan critic Ivonne Pini presents an overview of works by Colombian artists who were producing testimonial art from 1963 through the early 1970s. After referring to certain aspects of Latin [...]
    ICAA Record ID: 1092323

  • Las bienales en América Latina de hoy
    Acha, Juan, 1916-1995
    1981
    In this text written in 1981, Mexican-based Peruvian art critic Juan Acha provides an analysis of biennials in general on the occasion of the close of the Bienal Latinoamericana de São Paulo (BLSP)—a one-time event parallel to the traditional São [...]
    ICAA Record ID: 1079465

  • Miguel Ángel Rojas : la realidad como reflexión
    González, Miguel, 1950-
    1982
    This review by the art critic Miguel González, published in the Revista Arte en Colombia [Art in Colombia Magazine], considers the work of Miguel Ángel Rojas, and discusses his constant questioning of the procedures involved in Realism and indeed [...]
    ICAA Record ID: 1098370

  • Obrero : dónde estás que no te veo!
    González, Miguel, 1950-
    1975
    The Colombian critic Miguel González performed a critical analysis of the visual artwork and writings of Clemencia Lucena. The article refers to Lucena’s recently published book, Anotaciones políticas sobre la pintura colombiana. Using a clearly [...]
    ICAA Record ID: 1134174

  • Recordando con ira
    Traba, Marta
    1968
    In this text, critic Marta Traba reviews the exhibition entitled Pintura y Grabado Hoy en Venezuela [Painting and Printmaking in Venezuela Today] held at the Biblioteca Luis Ángel Arango in Bogotá in 1968. She questions the representativeness of [...]
    ICAA Record ID: 1080610

  • Reflexionando después de las batallas
    Traba, Marta
    1968
    In this 1968 article, Marta Traba discusses the conservative, violent reaction to the exhibition Espacios Ambientales [Environmental Spaces] at the Museo de Arte Moderno in Bogotá. Traba defends the exhibition and supports the experimental approach [...]
    ICAA Record ID: 868555

  • Un centro para el grabado : “4 Rojo”
    1973
    The anonymous author of this article discusses the aims and intentions of Taller Escuela 4 Rojo, a school scheduled to open on February 10, 1973. According to the text, instructors at the school will be members of Taller 4 Rojo, specifically Diego [...]
    ICAA Record ID: 1133173

  • Una aproximación a la consolidación del arte moderno en Colombia
    Jaramillo, Carmen María, 1958-
    2005
    In this text, Colombian curator and art critic Carmen María Jaramillo discusses the contradictions and complexities surrounding the beginnings of modern art in Colombia. She places the emergence of modern art in the framework of the historical and [...]
    ICAA Record ID: 1098094