ICAA Researcher: María C. Gaztambide; Harper Montgomery, collaborator×
  • ¿Qué quiere decir un Arte Americano?
    Traba, Marta
    1956
    In this text, Marta Traba argues that there is not really a unified [Latin] American aesthetic in the visual arts and calls for an honest investigation of the question of such an aesthetic approach, even at the risk of affirming that no common spirit [...]
    ICAA Record ID: 839092

  • Ariel
    Rodó, José Enrique, 1871-1917
    1900
    In this text, José Enrique Rodó outlines his vision for a future Latin American civilization based on the pursuit of idealism. He stages this description as a lecture being delivered by an elderly teacher named Prospero to his young students. Rod [...]
    ICAA Record ID: 1055578

  • Arte Latino Americano actual
    Traba, Marta
    1972
    In this book, Marta Traba examines how the growing influence of art of the United States has shaped the art of Latin America during the 1950s and ‘60s, and how Latin American artists have both succumbed and resisted the effects of this influence. [...]
    ICAA Record ID: 833707

  • Carlos Mérida
    Salmon, André
    1927
    In this text, André Salmon considers the paintings of the young Guatemalan artist, Carlos Mérida, and their appeal to Parisian audiences, while also expressing nationalist sentiments specific to Guatemala. Salmon begins by recounting how young [...]
    ICAA Record ID: 832600

  • Comments on the Article by Damián Bayón
    Romero Brest, Jorge
    1975
    In this text, Jorge Romero Brest responds to an article by Damián Bayón about what qualities make art produced by Latin American artists Latin American, and to four related questions about the nature of Latin American art which were sent to him by [...]
    ICAA Record ID: 1061762

  • Contemporary Regional Schools in Latin America
    Morley, Grace, 1900-1985
    1945
    In this text, Grace L. McCann Morley reviews recent developments in Latin American art, and makes a number of suggestions about how the appreciation of Latin American art can be furthered in the United States. McCann Morley begins by reminding us of [...]
    ICAA Record ID: 833729

  • El asunto
    Vasconcelos, José
    1926
    In two chapters from his book Indología, José Vasconcelos outlines his concept of a culturally and politically unified Latin America, discussing how Latin America’s internal conflicts and its disagreements with the United States could be resolved [...]
    ICAA Record ID: 832563

  • El empoderamiento de lo local
    Buntinx, Gustavo
    2005
    In this lecture, Gustavo Buntinx looks to convince his listeners that the current idea of “Latin American art” is an imperialist construct, and argues that the only solution is for them to reinvent it in its entirety. He begins by declaring that [...]
    ICAA Record ID: 1065640

  • El presagio de América
    Reyes, Alfonso, 1889-1959
    1942
    In these three extracts from the first chapter of his book Última Tule, Alfonso Reyes considers the history of conquest and how it has fostered mythic notions of the Americas. In the text “Colón y Américo Vespucio,” he corrects the historical [...]
    ICAA Record ID: 839023

  • Etsedrón o la carencia de interés libidinoso por la realidad
    Torrens, María Luisa
    1975
    In this text, María Luisa Torrens responds to Aracy Amaral’s article arguing that the installation entitled Etsedrón, which appeared at the 1975 (XIII) São Paulo Biennial, constituted a promising new direction for Latin American art. Torrens [...]
    ICAA Record ID: 1065137

  • Etsedrón: una forma de violencia
    Amaral, Aracy A., 1930-
    1976
    In this text, Aracy Amaral considers the strong negative responses provoked by a work entitled Etsedrón in the 1975 (XIII) São Paulo Biennial. She argues that this work provoked such responses because of its visceral power and because it is [...]
    ICAA Record ID: 1065099

  • Foreword
    Barr, Alfred Hamilton, 1902-1981
    1943
    In this text, Alfred H. Barr, Jr. introduces the catalog of the collection of Latin American art of the Museum of Modern Art with remarks reviewing the history of the museum’s involvement with Latin American art and recent efforts to expand its [...]
    ICAA Record ID: 838005

  • From Latin American Art to Art from Latin America
    Mosquera, Gerardo
    2003
    Gerardo Mosquera considers the usefulness of the idea of Latin American art, ultimately taking a firm position against it as it has been understood up to now. He begins by describing Latin American culture’s “neurosis of identity” as the [...]
    ICAA Record ID: 1065622

  • Guardias de la pluma
    Reyes, Alfonso, 1889-1959
    1930
    Alfonso Reyes wrote this letter to Waldo Frank in New York with the purpose of sending him a clipping (or perhaps a transcription) of a text Reyes had published in an Argentine newspaper about his friendship with Frank on the occasion of Frank’s [...]
    ICAA Record ID: 1054203

  • Homogenizing Hispanic Art
    Goldman, Shifra M., 1926-
    1987
    In this text, Shifra Goldman examines the problematic homogenization of the idea of “Hispanic” art and culture that was promoted by the exhibition Hispanic Art in the United States: Thirty Contemporary Painters and Sculptors organized by The [...]
    ICAA Record ID: 1065232

  • Indagación : ¿qué debe ser el arte americano?
    Torres Bodet, Jaime
    1928
    In this text, Jaime Torres Bodet responds to the question that the editors of revista de avance posed to their readers: “What should American art be?” Torres Bodet notes the anxiety created by this question and warns of the dangers of defining [...]
    ICAA Record ID: 832061

  • Introduction
    Messer, Thomas M.
    1966
    In this text, Thomas Messer explains the logic behind how he selected the works for his exhibition The Emergent Decade: Latin American Painters and Painting in the 1960s. He also considers the questions that the exhibition raises about how [...]
    ICAA Record ID: 1061823

  • Introduction
    Catlin, Stanton L. (Stanton Loomis); Grieder, Terence
    1966
    Stanton Loomis Catlin and Terence Grieder introduce their exhibition Art of Latin America since Independence. They begin by arguing that U.S. audiences should naturally find this art of interest because it was produced by fellow “Americans,” and [...]
    ICAA Record ID: 1061840

  • Introduction
    Cancel, Luis R.
    1988
    In this introduction, Luis Cancel explains the logic behind how he and his colleagues organized the exhibition The Latin American Spirit: Art and Artists in the United States, 1920-1970. He also explains, at length, the curatorial team’s larger [...]
    ICAA Record ID: 1065293

  • Introduction
    Day, Holliday T.; Sturges, Hollister
    1987
    In this introduction, Holliday T. Day and Hollister Sturges explain how the theme of “the fantastic” underlies the art of the twenty-nine artists included in the exhibition The Art of the Fantastic: Latin America, 1920-1987. In explaining their [...]
    ICAA Record ID: 1065330

  • Introduction to an exhibition
    Rasmussen, Waldo
    1993
    Waldo Rasmussen introduces the exhibition, Latin American Artists of the Twentieth Century, with the history of participation by The Museum of Modern Art (MoMA) in the promotion of Latin American art. Rasmussen refers to the important role played by [...]
    ICAA Record ID: 1065350

  • La multipatria latinoamericana
    Torres Caicedo, José María
    1864
    In these three texts, Torres-Caicedo considers how Latin American states should organize themselves into some kind of larger, governing body. In the first, he argues in favor of a Confederation of Latin American states as opposed to a Federation. He [...]
    ICAA Record ID: 1052895

  • La personalidad puertorriqueña en el Estado Libre Asociado
    Muñoz Marín, Luis, 1898-1980
    1953
    In this speech, Luis Muñoz Marín calls on his audience of the Association of Teachers to take on the promotion of Puerto Rican culture as their chief responsibility. He begins by explaining that by Puerto Rican culture he does not mean specialized [...]
    ICAA Record ID: 1055544

  • La unidad latinoamericana
    Casimir, Jean
    1969
    In this text, Jean Casimir considers what unifies Latin American countries, ultimately arguing that they should seek a sense of unified purpose in resistance to the dominance of the United States. He begins by asking if the countries south of the “ [...]
    ICAA Record ID: 840539

  • Latin American Painting Comes into its Own
    Smith, Robert
    1940
    In this text, Robert C. Smith compares the great developments in Latin American painting since the 1920s with the mediocrity of Latin American art during the colonial period and nineteenth-century. In the first third of his text, Smith criticized [...]
    ICAA Record ID: 838021

  • Le Mexique Ancien et Moderne
    Chevalier, Michel
    1864
    In this selection from Michel Chevalier’s text Le Mexique Ancien et Moderne (1863), the author argues that France’s occupation of Spain, Mexico, and other Latin countries is in the best interest of all Catholic nations. Describing France as both [...]
    ICAA Record ID: 839365

  • Mi opinión sobre la exposición de artistas norteamericanos : contribución
    Torres-García, Joaquín
    1942
    In this lecture delivered on September 5, 1941, in Montevideo, Joaquín Torres-García examines a recent exhibition of North American (United States) artists, asking what this work tells us about the “great problem” of the art of “our” [...]
    ICAA Record ID: 833512

  • Minorities and Fine-Arts Museums in the United States
    Marzio, Peter C.
    1990
    Peter Marzio reflects on the experience of organizing and presenting the exhibition Hispanic Art in the United States: Thirty Contemporary Painters from his perspective as the director of the organizing museum. Marzio tells us he wants to make “ [...]
    ICAA Record ID: 1065274

  • Mixing
    1990
    Lucy Lippard recounts a history of art in the United States during the 1970s and ‘80s centered on cultural mixing. She begins by attesting to the failure of the idea of the “melting pot” in the United States. Instead, she argues that Western [...]
    ICAA Record ID: 1065534

  • Presentación
    Mosquera, Gerardo
    1992
    In this text, Gerardo Mosquera introduces the exhibition Ante América [Facing the Americas] with an essay describing the common social, political and economic framework that has fostered the art of what he calls “el Sur” or “Nuestra América [...]
    ICAA Record ID: 1065586

  • Problemas del arte en Latinoamérica
    Traba, Marta
    1958
    In her essay, Marta Traba launches an argument in five parts against nationalism in recent Latin American painting. In the first part, she identifies nationalism as the main problem with regard to contemporary painting. Although it poses as a path to [...]
    ICAA Record ID: 1061697

  • Prologue
    Day, Holliday T.; Sturges, Hollister
    1987
    In this prologue, Holliday T. Day and Hollister Sturges explain how the theme of “the fantastic” underlies the art of the twenty-nine artists included in the exhibition The Art of the Fantastic: Latin America, 1920-1987. They explain how this [...]
    ICAA Record ID: 1065311

  • The continuation committee of the Conference on Inter-American Relations in the Field of Art : Minutes of meeting of february 15-16, 1940
    1940
    This text documents the proceedings of the first meeting of the Continuation Committee of the Conference on Inter-American Relations in the Field of Art and is comprised of three sections: a summary of the proceedings; minutes of the two days of [...]
    ICAA Record ID: 837946

  • The Jamaica Letter : Response from a South American to a Gentleman from This Island
    Bolívar, Simón, 1783-1830
    In this letter, Simón Bolívar considers a number of issues about the wars of independence in Latin America with the purpose of providing information to Henry Cullen, a gentleman settled in the island of Jamaica. Bolívar begins by explaining how [...]
    ICAA Record ID: 1052872

  • The Poetics and Politics of Hispanic Art: A New Perspective
    Livingstone, Jane; Beardsley, John
    1990
    Jane Livingston and John Beardsley reflect on the process of organizing the exhibition Hispanic Art in the United States: Thirty Contemporary Painters and Sculptors, and they respond to the criticism generated in response to it. They begin by [...]
    ICAA Record ID: 1065252

  • The Utopia
    More, Thomas, Sir, Saint, 1478-1535
    2001
    In this text, Thomas More narrates an episode from his own life in which he met and conversed with Raphael Hythloday, a Portuguese sailor who had traveled on four of Amerigo Vespucio’s voyages across the Atlantic and on the fourth one was left [...]
    ICAA Record ID: 839168

  • Traveling Exhibitions of Latin American Art: A list of the titles and sources of exhibitions now available for circulation in the United States
    1946
    In this document, the Inter-American Office at the National Gallery of Art in Washington, D.C., has compiled a listing of all of the exhibitions of Latin American art available for loan to museums and institutions in the United States. The foreword [...]
    ICAA Record ID: 1059900