ICAA Researcher: Gabriela Germaná Roquez×
  • La exposición de Julia Codesido en la Academia Alzedo [sic]
    Muelle, Jorge C.
    1938
    According to the author, Julia Codesido’s work has become “increasingly unreal” and is thus more like modern painting, which makes no attempt to present an objective version of the subject matter. According to Jorge C. Muelle, “Julia invents [...]
    ICAA Record ID: 1141179

  • México comenta el rotundo triunfo de Julia Codesido en Estados Unidos
    1936
    This is the review of the exhibition of works by Julia Codesido at the Delphic Studios gallery (New York, 1936), originally published in El Universal Gráfico de México and reprinted in the Lima newspaper La Crónica. The writer of the Mexican [...]
    ICAA Record ID: 1141164

  • El arte de la cerámica amazónica
    Gallagher de Parks, Mercedes, 1883-
    1943
    In this article, the essayist and art critic Mercedes Gallagher de Parks discusses the pottery produced in the Amazon region of Peru, noting the wide variety of pieces and their surprising aesthetic. Very little is known about this pottery other than [...]
    ICAA Record ID: 1141148

  • El indigenismo y el peruanismo en el arte : comentario sobre dos exposiciones recientes
    Gallagher de Parks, Mercedes, 1883-
    1941
    In this article, Mercedes Gallagher de Parks reviews two exhibitions in Lima: one consisting of works by the Indigenist painter Camilo Blas (at the Instituto Bach); the other a collection of works by the English painter Fred Stratton (at the Sociedad [...]
    ICAA Record ID: 1141131

  • Sobre el problema indigenista de nuestra cultura
    Gallagher de Parks, Mercedes, 1883-
    1939
    In this article, Mercedes Gallagher de Parks discusses the Peruvian Indigenist movement. In her opinion, attempts to recognize and affirm the indigenous population could create “murky ambitions and small-minded hatred.” She thinks the channels [...]
    ICAA Record ID: 1141113

  • Sabogal en su refugio
    Barrionuevo, Alfonsina, 1935-
    1955
    The synopsis and the annotations in English are coming soon. However, our bilingual readers can click on “Español” to access this information in Spanish [...]
    ICAA Record ID: 1141097

  • Artes plásticas
    Salazar Bondy, Sebastián
    1954
    In this review “Juan Eye” (the pseudonym used by the writer Sebastián Salazar Bondy) discusses the José Sabogal exhibition at the SAP (Sociedad de Arquitectos del Perú, Lima). The author states that Sabogal deserves to be acknowledged in the [...]
    ICAA Record ID: 1141063

  • Sabogal y una escuela peruana de pintura
    1949
    Nota periodística sobre la trayectoria artística de José Sabogal, entonces trabajando en una nueva pintura de título Garcilaso. El autor señala que “en el rostro de la figura defínense, gracias a un hábil efecto de luz, las dos razas”, y a [...]
    ICAA Record ID: 1141048

  • Art turns political in the shadow of the Shining Path
    Montana, Constanza; Solis, Dianna
    1987
    The synopsis and the annotations in English are coming soon. However, our bilingual readers can click on “Español” to access this information in Spanish [...]
    ICAA Record ID: 1141031

  • Las quelcas de Sarhua
    Razzeto, Mario, 1939-
    1975
    In this essay [Mario] Razzeto discusses the work by Guamán Poma de Ayala—a chronicler of Inca lineage and author of Nueva Crónica y Buen Gobierno (1615)—explaining that it is a history of discourse or records of events that are juxtaposed [...]
    ICAA Record ID: 1140999

  • Las qellkas de Sarhua
    Sabogal Wiesse, José, 1923-1983
    1978
    This essay was written by the agronomist and specialized Andean culture researcher José Sabogal Wiesse for the brochure for the exhibition Q’ori Taq’e. Taller de artes de Sarhua that was held at the Huamanqaqa Gallery in Lima in [...]
    ICAA Record ID: 1140983

  • Hacen Quelcas
    Espinoza Haro, Nilo, 1950-
    1975
    In this interview, Primitivo Evanán Poma explains to Nilo Espinoza that in Sarhua, the country village where he was born, “it was the custom that relatives would give quelcas or painted wooden boards to families that built a house and put a roof [...]
    ICAA Record ID: 1140967

  • [Hemos llegado hasta casi la cumbre del cerro...]
    Nakamura, Félix, 1938-
    1977
    This text was written by Félix Nakamura for the catalogue for the exhibition Los pintores de Sarhua, that took place at the Huamanqaqa Gallery in Lima in 1977. Nakamura provides an account of his visit to the workshop operated by the artists Víctor [...]
    ICAA Record ID: 1140950

  • [Sarhua ha sido siempre un pueblo de agricultores, ganaderos, pintores y artesanos]
    Macera, Pablo, 1929-
    1975
    In this essay Pablo Macera states that although various anthropologists had studied the social organization of Sarhua (in the Departamento de Ayacuco), nothing was known about the quelcas or painted boards produced in this region until a few years [...]
    ICAA Record ID: 1140935

  • La marcha de los días : José Sabogal
    Diez-Canseco, José, 1904-1949
    1940
    The synopsis and the annotations in English are coming soon. However, our bilingual readers can click on “Español” to access this information in Spanish [...]
    ICAA Record ID: 1140919

  • El pincel aborigen de Sabogal
    Esculies, Óscar A., 1913-
    1938
    This article about José Sabogal and his work, published in the Peruvian newspaper El Comercio, was written by Óscar Esculíes after visiting the artist’s workshop at the ENBA (Escuela Nacional de Bellas Artes). According to the Paraguayan writer [...]
    ICAA Record ID: 1140903

  • Notas de arte : para la exposición de Sevilla
    Solari, Carlos, 1883-1932
    1929
    The author notes that the furniture and the decorations on the ceilings, floors, and walls of the Peruvian Pavilion at the Sevilla Expo are all the work of José Sabogal, expressed “in the vernacular style that both moves and captivates him.” [...]
    ICAA Record ID: 1140871

  • La reorganización de la Escuela Nacional de Bellas Artes
    Flórez Araoz, José
    1943
    This newspaper article states that, in the ten years since the death of Daniel Hernández, the first director of ENBA, very little “progress has been made, due to the regrettable guiding principles of a faculty” that is committed to imposing an [...]
    ICAA Record ID: 1140855

  • Presencia del Perú en la nueva pintura
    Rouillon, Guillermo, 1917-1978
    1943
    In his article, Guillermo Rouillón deplores the dismissal of José Sabogal from his position as director of the ENBA (Escuela Nacional de Bellas Artes). According to Rouillón, Sabogal is undoubtedly “the promoter and guide of Peru’s entry into [...]
    ICAA Record ID: 1140838

  • Homenaje a José Sabogal : ofrecimiento de José Gálvez. Respuesta del pintor
    1943
    In August 1943 a ceremony was organized at the Cabane Club in Lima to honor José Sabogal. This document includes the honoree’s speech as well as the one given on that occasion by the poet José Gálvez, who refers to his doctoral thesis on [...]
    ICAA Record ID: 1140821

  • Sobre la reorganización de la Esc. Nacional de Bellas Artes
    Sociedad de Bellas Artes
    1943
    This is an open letter—signed by the directors of the Sociedad de Bellas Artes del Perú—to the Minister of Public Education Enrique Laroza, that was published in the Lima newspaper La Prensa. The signatories express their agreement with the [...]
    ICAA Record ID: 1140803

  • La dirección de la Escuela Nacional de Bellas Artes
    1943
    The signatories to this open letter addressed to the then-president of Peru, Manuel Prado, request that José Sabogal be reinstated as director of the ENBA (Escuela Nacional de Bellas Artes). They point out that ever since he was appointed (in 1932 [...]
    ICAA Record ID: 1140784

  • El día: la enseñanza de las Bellas Artes
    1943
    The synopsis and the annotations in English are coming soon. However, our bilingual readers can click on “Español” to access this information in Spanish [...]
    ICAA Record ID: 1140754

  • La Escuela Nacional de Bellas Artes
    Valcárcel, Luis E. (Luis Eduardo), 1891-1987; Palma, Clemente, 1872-1946; Gálvez, José, 1885-1957
    1943
    The synopsis and the annotations in English are coming soon. However, our bilingual readers can click on “Español” to access this information in Spanish [...]
    ICAA Record ID: 1140736

  • Notículas : José Sabogal y la Escuela Nacional de Bellas Artes
    Garrido, José Eulogio, 1888-1967
    1943
    The author claims that José Sabogal’s ouster from the leadership of the ENBA (Escuela Nacional de Bellas Artes) is both a political and a spiritual event. Garrido insists that, ever since Sabogal was appointed as director, “his life and his [...]
    ICAA Record ID: 1140720

  • De México, habla ahora José Sabogal
    Falcón, Jorge, 1908-
    1943
    The Peruvian intellectual Jorge Falcón interviews José Sabogal about the painter’s visit to Mexico in 1942, mentioning that on his arrival in the country, the Mexican government—via the director of the Instituto Nacional de Bellas Artes y de [...]
    ICAA Record ID: 1140703

  • Estados Unidos en impresión de José Sabogal
    Falcón, Jorge, 1908-; Falcón, Jorge, 1908-
    1943
    The Peruvian intellectual Jorge Falcón interviews José Sabogal about his visit to several cities in the United States in 1942 at the invitation of the State Department. Sabogal admits that until then, he did not have a complete view of the [...]
    ICAA Record ID: 1140687

  • José Sabogal : maestro pintor
    Macera, Cesar Francisco, 1908-1964
    1941
    According to César Francisco Macera, José Sabogal’s first exhibition in Perú (Lima, 1919) had a profound impact on the country; viewers were astonished and appalled at “the new landscape” they were looking at. Sabogal responded to critiques [...]
    ICAA Record ID: 1140669

  • Sabogal responde un interrogatorio
    Sabogal, José, 1888-1956
    1931
    This is the responses given by José Sabogal, the founder of the Peruvian indigenous painting movement, to a questionnaire on the cultural situation in Peru. He proclaims his faith in the idea of a purely Peruvian kind of art, since it embodies “ [...]
    ICAA Record ID: 1140653

  • Mirando sin ver : la exposición de xilografías de José Sabogal
    Garrido, José Eulogio, 1888-1967
    1929
    The author clarifies that he has not yet been to the capital of Peru, but this has not prevented him from visiting José Sabogal’s Exhibition of Woodcut Prints in Lima time and time again. There is nothing absurd about it, says José Eulogio [...]
    ICAA Record ID: 1140637

  • Arte Peruano : José Sabogal
    Garrido, José Eulogio, 1888-1967
    1928
    In this article the writer and journalist José Eulogio Garrido discusses the indigenist painting of José Sabogal. Garrido describes the painter as “a man with a voice and vision of his own who expresses that voice and vision in visible ways that [...]
    ICAA Record ID: 1140621

  • La exposición Sabogal en el Country Club / Mercedes Gallagher de Parks
    Gallagher de Parks, Mercedes, 1883-
    1940
    This review, by the Peruvian essayist and art critic Mercedes Gallagher de Parks, is about the exhibition of work by José Sabogal at the Lima Country Club in 1940. The reviewer reproaches the artist, saying that “though he can paint magnificently [...]
    ICAA Record ID: 1140587

  • Artes-Ciencias-Letras : la exposición Sabogal
    Raygada, Carlos, 1898-1953
    1940
    Though he does not mention a change as such in José Sabogal’s latest paintings, the author detects the presence or hint of certain nuances he had not noticed before. Carlos Raygada compares Procesión del Señor de los Milagros—painted in 1923, [...]
    ICAA Record ID: 1140572

  • Exposición Sabogal
    Muelle, Jorge C.
    1940
    The synopsis and the annotations in English are coming soon. However, our bilingual readers can click on “Español” to access this information in Spanish [...]
    ICAA Record ID: 1140555

  • El significado cultural de la obra de José Sabogal
    Núñez, Estuardo, 1908-2013
    1937
    In his article about the exhibition of works by José Sabogal held at the Sociedad Filarmónica in Lima in 1937, Estuardo Núñez suggests that Sabogal’s paintings were not just the product of a particular school or trend but were required [...]
    ICAA Record ID: 1140523

  • División y partición el paisaje
    Peña Barrenechea, Ricardo, 1896 - 1939
    1937
    In 1937, Ricardo Peña wrote about José Sabogal’s work on the occasion of his exhibition at the Sociedad Filarmónica, suggesting that the paintings on display could be classified, in terms of “his ethical and artistic approach,” into three [...]
    ICAA Record ID: 1140507

  • En honor de José Sabogal
    1937
    The synopsis and the annotations in English are coming soon. However, our bilingual readers can click on “Español” to access this information in Spanish [...]
    ICAA Record ID: 1140492

  • La exposición Sabogal
    Raygada, Carlos, 1898-1953
    1937
    Carlos Raygada claims that José Sabogal’s work combines technical mastery with a “moody” aesthetic to produce an accurate expression of the country’s sensibilities. The critic describes Sabogal’s paintings as unusually controversial [...]
    ICAA Record ID: 1140475

  • La exposición Sabogal
    Salinas Cossío, Guillermo, 1882-1941
    1937
    In his review of José Sabogal’s 1937 exhibition, the author claims that an analysis of the evolution of the painter’s work reveals “a single driving thought and a single, constant desire for modernity, as well as a sense of the vernacular.” [...]
    ICAA Record ID: 1140459

  • De arte : la exposición Sabogal
    Fritz, Óscar
    1937
    Óscar Fritz compares José Sabogal’s influence on the Peruvian visual arts to Martin Luther’s impact during the Reformation: a process that “sought to return to an earlier simplicity, to embrace a form of evangelical speech that mimicked the [...]
    ICAA Record ID: 1140443

  • En la Escuela Nacional de Bellas Artes
    Sabogal, José, 1888-1956
    1933
    This article was published in January 1933 on the occasion of ENBA’s exhibition of paintings by Daniel Hernández, who was the first director of the Peruvian Escuela Nacional de Bellas Artes [National School of Fine Arts], and by the school’s [...]
    ICAA Record ID: 1140428

  • La pintura de José Sabogal : a manera de ensayo
    1933
    The author of this article is entranced by José Sabogal’s use of color in his works. He also thinks the painter has already expressed, in some of his paintings, an undeniable sense of “Peruvian-ness,” forging a new technique that blends the [...]
    ICAA Record ID: 1140412

  • José Sabogal, director de la Escuela Nacional de Bellas Artes
    Garrido, José Eulogio, 1888-1967
    1933
    In the author’s opinion there has seldom been a fairer appointment, because José Sabogal is not a token candidate, he is a hard-working painter. Another factor is the “authentic Peruvian-ness” of what José Eulogio Garrido calls the fervent [...]
    ICAA Record ID: 1140395

  • Ditirambo a Sabogal
    Sánchez, Luis Alberto, 1900-1994
    1931
    Luis Alberto Sánchez wrote this article on the occasion of the closing of José Sabogal’s exhibition at the Universidad Nacional Mayor de San Marcos (Lima, 1931). According to Sánchez, “Sabogal is a painter who represents all of Peru,” and [...]
    ICAA Record ID: 1140378

  • La exposición Sabogal
    Espinosa Saldaña, Antonino, 1888-1969
    1931
    Espinoza Saldaña thinks José Sabogal has been making some profound changes in his work since his first exhibition in Lima. He comments in particular on the artist’s realism which makes no attempt to please, unlike those who are still enraptured [...]
    ICAA Record ID: 1140362

  • José Sabogal, pintor de la raza
    Sabroso Montoya, Arturo, 1895-1974
    1931
    According to the author of this article José Sabogal is, above all, “someone who expresses Peruvian-ness,” one who has not only developed an original technique, but has also managed to expose profound and unprecedented aspects of the country’s [...]
    ICAA Record ID: 1140345

  • La fuente de Arones
    Sabogal, José, 1888-1956
    1931
    In this text, José Sabogal, who is outraged, writes about a colonial fountain in the city of Cuzco that has been “savagely and mercilessly torn from its secular place.” That fountain, the painter explains, was “the people of Cuzco’s favorite [...]
    ICAA Record ID: 1140328

  • El Perú en el arte de José Sabogal
    Basadre, Jorge, 1903-1980
    1931
    The author of this article thinks that Peru does a better job of addressing its potential in the artistic arena than in the social or political sphere, although this has begun to change in recent years. In his opinion, José Sabogal’s paintings are [...]
    ICAA Record ID: 1140311

  • Notas de arte
    Solari, Carlos, 1883-1932
    1929
    In this article, Carlos Solari asserts that the medium of “wood engraving has always been very suggestive” for painter José Sabogal. “The synthetic quality that it requires [befits] the temperamental characteristics for which he is known,” [...]
    ICAA Record ID: 1140294

  • Carrousel : xilografías de José Sabogal
    López Merino, Clodoaldo
    1929
    López Merino begins his article by remarking on the success of Sabogal’s exhibition in Buenos Aires, “where the most discerning critics acknowledged the respect he enjoys in Latin America.” The writer describes the exhibition of prints as a [...]
    ICAA Record ID: 1140277