ICAA Researcher: Equipe Brasil: Daria Jaremtchuk×
  • [Au moment où le general GEISEL...]
    The signatories of this manifesto—a statement of solidarity with the struggle of the Brazilian people defending freedom of expression in all areas—are opposed to the dictatorship’s practice of using art as a symbol of prestige for the military [...]
    ICAA Record ID: 1111288

  • [Letter] 1968 Dec. 30 [to] Walter Zanini
    Gerchman, Rubens, 1942-2008
    While in the United States on a travel scholarship, the artist Rubens Gerchman wrote to Walter Zanini—who at the time was the director of the MAC-USP (Museu de Arte Contemporânea da Universidade de São Paulo)—to tell him that he was in New York [...]
    ICAA Record ID: 1111051

  • [O pintor Gontran Netto tem uma visão simples da sociedade]
    Abramo, Radha
    In this text, art critic Radha Abramo takes stock of realism and metaphor in relation to wretchedness in the work of Brazilian visual artist Gontran Guanaes Netto. She underscores the link between Guanaes Netto’s production and a national type, a [...]
    ICAA Record ID: 1111164

  • Campos de batalha : tornar visível o invisível - mudar nossa maneira de viver
    Flusser, Vilém, 1920-1991
    While traveling in New York, philosopher Vilém Flusser, who had lived in Brazil for two decades, visited the studio of Brazilian artist Antonio Henrique Amaral to see his Campos de Batalha series, which consisted of the works on canvas on the banana [...]
    ICAA Record ID: 1111050

  • Conversação de Holly Block com Anna Maria Maiolino
    Block, Holly; Maiolino, Anna Maria
    The main topic of this interview is the graphic work of Brazilian artist Anna Maria Maiolino exhibited in 2002 at the Drawing Center and Art in General in New York. During the conversation, Maiolino clarifies that in the seventies her art became [...]
    ICAA Record ID: 1111053

  • Depoimento gravado especialmente para o acervo da Galeria de Arte Alberto Bonfiglioli em 26.02.75
    Amaral, Antonio Henrique
    Artist Antonio Henrique Amaral comments on remarks that Czech philosopher and writer Vilém Flusser made about works from Amaral’s Campos de Batalha [Battlefields] series. Amaral objects to the commentary made by Dan Stancy that Flusser quotes in [...]
    ICAA Record ID: 1111039

  • Fala, Hélio
    Pape, Lygia; Oiticica, Hélio, 1937-1980
    Lygia Pape interviews Hélio Oiticica after he had returned from having lived for a period in New York. When asked about the term “Latin American art,” Oiticica says that he does not believe his work fits into that category, which he considers [...]
    ICAA Record ID: 1111054

  • O futuro é construtivo
    Castro, Amílcar de
    In the early 1970s, when Amílcar de Castro was in New York for the group shows where he was exhibiting, he was surprised by the number of galleries in the city. His enthusiasm is reflected in his assessment of the commercial success of art that [...]
    ICAA Record ID: 1111049

  • Uma arte brasileiro/latino-americana
    Gerchman, Rubens, 1942-2008
    While living in New York, Rubens Gerchman announced that he would no longer paint, and began producing objects instead. Nonetheless drawing continued to be his starting point. Throughout his text, he offers observations on the arts scene of the city [...]
    ICAA Record ID: 1111052