ICAA Researcher: Equipe Brasil: Ana Magalhães×
  • [Letter] 1948 dec. 21, São Paulo [to] René Drouin, Paris
    Degand, León
    1948
    Letter from Léon Degand—director of the Museu de Arte Moderna de São Paulo (MAM-SP)—to René Drouin—a Parisian gallerist and the partner of Leo Castelli—discussing details related to the first exhibition at MAM-SP. According to the letter, [...]
    ICAA Record ID: 1110822

  • [O Núcleo de Arte Contemporânea da UFPb]
    Lucena, Ivaldo
    1980
    Iveraldo Lucerna clarifies that this text is a simple account of the activities carried out at the Núcleo de Arte Contemporânea (NAC) of the Universidade Federal da Paraíba. That institution was founded to bridge the distance between the realms of [...]
    ICAA Record ID: 1111208

  • A terceira Bienal de São Paulo : três artigos de um cronista de província
    Valladares, José
    1955
    José Valladares published three reviews of the III Bienal de São Paulo (1955) in the Diário de Notícias, the Bahia newspaper. He notes that he was close to the jury that selected the works for this edition of the international event, and then [...]
    ICAA Record ID: 1110829

  • Cartas e telegramas de D. Yolanda
    Penteado, Yolanda, 1903-1983
    1951
    This is an account of Mrs. Yolanda Penteado’s travels to establish relationships with representatives of several European countries in order to secure their agreement to participate in the First Bienal de São Paulo (1951). The typewritten document [...]
    ICAA Record ID: 1110831

  • Cícero Dias, no Rio
    Milliet, Sérgio, 1898-1966
    1948
    This text by Sérgio Milliet is a review of a show of recent abstract paintings by Cícero Dias held in Rio de Janeiro. In it, Milliet formulates an opposition between figuration and abstraction. The author also asserts that, in his view, Dias’s [...]
    ICAA Record ID: 1110880

  • Declaração dos artistas de São Paulo sobre a II Bienal
    1953
    A declaration written in manifesto format, in this text, artists and critics from São Paulo suggest a number of rules for the composition of the jury to select works for the II São Paulo Biennial (1953). The signers of the document demand a more [...]
    ICAA Record ID: 1110825

  • Nem todo número é de ouro
    Machado, Lourival Gomes
    1953
    Lourival Gomes Machado criticizes the fact that the São Paulo Biennial has been declared a success on the basis of numbers: number of people who attended, number of works exhibited, amount spent on materials, etc. The critic, who was the artistic [...]
    ICAA Record ID: 1110828

  • O Museu de Arte Moderna
    Milliet, Sérgio, 1898-1966
    1948
    This document records the founding of the MAM-SP (Museu de Arte Moderna de São Paulo) and describes its initial activities, including the exhibition of Abstract work organized by René Drouin (director of the Musée d’Art Moderne de Paris). In [...]
    ICAA Record ID: 1110832

  • O público e os pintores
    1948
    This is an editorial that was published in the Jornal Artes Plásticas, in São Paulo, in the 1940s, an essential period in terms of establishing museums in Brazil. This text is a record of the phenomenon that led to São Paulo’s construction of [...]
    ICAA Record ID: 1110881

  • Parecer sôbre o "CORE" da Cidade Universitária
    Pedrosa, Mário
    1962
    This article is about the construction of a plaza designed for cultural activities at the new USP (Universidade de São Paulo) campus. The article is in three parts: the first part describes the plaza that has been built in front of the Rectory; the [...]
    ICAA Record ID: 1110830

  • Volpi, Di Cavalcanti e Giorgi, os grandes prêmios nacionais da II Bienal
    Zanini, Walter, 1925-
    1953
    This piece reports the winners of the national prize issued by the jury of the 2nd São Paulo Biennial (1953). The writer of this text, Professor Walter Zanini, provides a short description of the art life of each of the prizewinners: Alfredo Volpi, [...]
    ICAA Record ID: 1110827