In this text, Jacinto Quirarte interviews artists who led Chicano art movements in San Antonio and the California Bay area during the late 1960s and early 1970s, asking them questions about what motivated their efforts and about, more generally, what they believe constitutes Chicano art. Quirarte introduces his discussions with Mel Casas, Emilio Aguirre, Rudy Treviño (of San Antonio), and Esteban Villa (of Sacramento) by explaining that “Mexican American” artists, even though they are trained in the same styles as any contemporary American artist, have recently been consciously emphasizing their “ties” with Mexico. Quirarte begins by asking the group of artists from San Antonio about the importance of their background, their interest in Mexican mural painters, and the development of a Chicano art movement in San Antonio. The artists respond differently to these questions. For example, Casas embraces the idea of his art as propaganda, while Treviño rejects it; and all are reticent to underscore their Mexican identity over their identity as artists. In a second section of the text, Quirarte asks Villa about his role in the formation of MALAF (Mexican American Liberation Art Front) in the Bay area (San Francisco) in 1970, and Villa describes MALAF’s dual goals as promoting Chicano art (including poetry and theater) in the mainstream, and developing symbols of Chicano identity. Quirarte concludes the text with a final section in which he informs the reader that, although Casas before expressed reticence about joining a Chicano art movement, he has since become the leader of the group C/S (Con Safo) in San Antonio, Texas.