The journalists stopped finding it interesting to cover the news about the dance in De la Paz Street, where forty-two men were detained, many dressed as women. However, in popular culture the number 41 continued to be stigmatized, and it remained a symbol of homosexuality. Over time, the supposed "logbook"gave way to a few popular folk songs. In the Cancionero folklórico de México [Folkloric Songbook of Mexico], coordinated by Margit Frenk (1985), two songs were included that allude to this dance. This first mentions that: "De aquellos que están allá / no me parece ninguno: / uno ya está muy viejo / y el otro es cuarenta y un". [Of those that are there/ resembling me are none: / one shows wear and tear/ and the other is forty-one]. And the other goes: "Uno, dos, tres, cuatro, cinco, / cinco, cuatro, tres, dos, uno, / cinco por ocho cuarenta, / con usted cuarenta y uno" [One, two, three, four, five, / five, four, three, two, one, / five times eight forty, / with you, forty-one.]Through portraits and caricatures, artists such as José Guadalupe Posada (1852-1913), Diego Rivera (1886-1957), José Clemente Orozco (1883-1949) and Antonio Ruiz (1897-1964) ridiculed and attacked the feminization of a certain cultural sector in Mexico.