Liliana Porter (b. 1941) was born in Buenos Aires, and began studying art at the Escuela Nacional de Bellas Artes Manuel Belgrano [National School of Fine Arts]. In 1958 she and her family moved to Mexico City, where she enrolled at the Universidad Iberoamericana and took classes from the German artist Mathias Goeritz (1915–90), specializing in printmaking with Guillermo Silva Santamaría. Her work during this period was the basis of her earliest exhibitions. She returned to Buenos Aires in 1961 and remained there until 1964, continuing her art training with Fernando López Anaya and Ana María Moncalvo. In 1964 she moved to New York City where she joined forces with Luis Camnitzer and José Guillermo Castillo to start the New York Graphic Workshop (NYGW, 1964–65), a space where classes were held and other artists’ works were printed. It was also a place where artists gathered to discuss printmaking and its role in contemporary society, which led to a variety of group projects. The workshop closed in about 1970. In 1975, Porter and Camnitzer, who were married at that time, opened the Studio Camnitzer-Porter in Valdottavo (Lucca). After they separated, the studio became the Studio Camnitzer. Liliana Porter currently lives and works in Rhinebeck, New York state. This catalogue is relevant because it documents one of Liliana Porter’s earliest exhibitions in Buenos Aires, in this case, the joint event with Susana B. Resnik who, like Porter trained with Montalvo and López Anaya. This catalogue also includes a brief critical review of Porter’s work on her return to Argentina after spending a few years in Mexico. On this subject, see also the text by Fernando López Anaya published in the catalogue for Grabados de Liliana Porter [Prints by Liliana Porter], the exhibition held at the Galería Galatea, in Buenos Aires (August 7–19, 1961).