In 1960 and a few months after having created the Centro de Arte del Instituto Torcuato Di Tella (ITDT) [Art Center of the Torcuato Di Tella Institute]—directed by a Council made up of Lionello Venturi, Ricardo Camino, Guido Di Tella and Jorge Romero Brest—the ITDT Prize was made possible. The purpose of this center was to cooperate in the diffusion and promotion of the visual arts, and to keep in contact with other centers connected with production at both a national and an international level. Within this context, the Premio ITDT [ITDT Prize] was created in order to provide an opportunity for young Argentinean artists to enrich their experience abroad; nevertheless, its creation did not just allow for the awarding of the grant-prize, but also it spurred the circulation of international art in the local arena, becoming an important reference point for the visual arts renaissance of the time. This prize was awarded to national or international artists, with some variation depending on the year in question, until 1967. Beginning that year, it changed its name and became Experiencias Visuales [Visual Practices], and then just Experiencias [Practices] in 1968 and 1969.
This document shows the choices made in the operation of the Torcuato Di Tella Institute Prize, especially in regard to the inclusion of the International category, which would allow for the dissemination of the work of the most innovative foreign artists of the time and promote the integration of national artists in the context of the prize. In addition, the document states that the formation of the members of the jury will be set so that both acclaimed critics and directors of international institutions come to recognize the Argentinean cultural scene. It is interesting to note that the Italian critic Giulio Carlo Argan replaced the recently deceased director Lionello Venturi, and that James Johnson Sweeney had run the Guggenheim Museum in New York.
In 1962, the following foreign sculptors participated in the program: Kenneth Armitage, Lygia Clark, Pietro Consagra, John Chamberlain, Lucio Fontana, Nino Franchina, Louise Nevelson, Eduardo Paolozzi, Gió Pomodoro, Pablo Serrano and William Turnbull, The Argentinean sculptors represented were Julio Gero, Noemí Gerstein, Naum Knopp, Gyula Kosice, Aldo Paparella, Enrique Romano, Eduardo Sabelli and Luis Alberto Wells. The members of the jury were Giulio Carlo Argan, Jorge Romero Brest, and James Johnson Sweeney.