In the 1970s Cali was a trendsetting city in Colombia; not just because of the international cultural events that were held there, but also because it was the site for alternative events like the Festival de Arte de Vanguardia [Festival of Avant-Garde Art]—organized by the nadaísta [Nothing-ist] group—that is fondly remembered by artists and intellectuals of that generation.
The group—that included the writers Gonzalo Arango (1931-1976), Jotamario Arbeláez (b. 1940), and Elmo Valencia (b. 1926), and the artist Pedro Alcántara (b. 1942), and enjoyed the support of Jesús Ordóñez, the owner of the Librería Nacional [National Bookstore]—used humor and irony to challenge the Festival de Arte de Cali [Cali Art Festival] (the official Festival) by simultaneously presenting the Festival de Arte de Vanguardia from 1965 through 1969 as a countercultural response. Nadaísmo [Nothing-ism] thus fielded an irreverent, contrary, anti-official event that challenged the status quo. This document is the only surviving trace of the event that has been found to date; it is currently held by the artist Pedro Alcántara Herrán.
The writer Gonzalo Arango stirred up criticism of the Academy and the Esso novel writing contest, and his presentation “El streap-tease de lo prohibido” [The Strip Tease of the Forbidden] on opening night was, according to the author, an anti-literary statement.
The critic and art curator Miguel González points out that the Avant-Garde Art Festivals, like the theater of the absurd, were a forum for the first Happenings—for example, skits starring two young, provocative artists (Alcántara and Mejía) at the “La Nacional” Art Gallery. Working together in front of the Festival’s first night audience, they produced the famous “painted presentation”—an erotic work on an enormous canvas—described by the art historian Álvaro Medina (b. 1942) as “feverish subjectivism” and “juvenile arousal” that transformed their “inner anguish” into a spectacle (see Pedro Alcántara’s “Plástica combativa” [Combative Visual Arts], doc. # 1078566). The “Action-Program” of that first festival included stage productions by Santiago García; poetry readings by Eduardo Escobar; films by Sergei Eisenstein and Robert Wiene, shown by Jaime Vásquez, a member of a film club; and the following lectures: “La cultura de la incultura en Colombia” [The Culture of the Lack of Culture in Colombia] by Marta Traba; “El nadaísmo a la luz de las explosiones” [Nada-ism by the Light of Explosions] by Jotamario [Arbeláez], and Valencia’s presentation accompanied by electronic music. The Festival closed on July 1, 1965 with a round table discussion headlined “Consejo de guerra verbal al arte contemporáneo” [Verbal Court Martial of Contemporary Art] that included Gonzalo Arango, Elmo Valencia, Jotamario, Norman Mejía, Eduardo Escobar, Pedro Alcántara, and the theater director Santiago García (b. 1928).